A series of landscape paintings reflecting observations in the urban environment within an hour’s drive from the artist’s home. Responding to the sky and land as they meet at the horizon.
A bold collection of botanical paintings, celebrating the beauty, resilience, and diversity of Western Australia’s flora.
MAC Inc. invites our artistic Members to reflect on the nature of adornment to create exquisite and intriguing works for the end of year exhibition at Mundaring Arts Centre.
An elemental infusion of fibres and earth, revealing the raw origins of plants and clay in a harmonious collaboration with nature.
Through the lens of his camera, Woldendorp has revealed the vast and ever-changing landscapes of Australia for over six decades. This survey of aerial photographs celebrates his vision for the life within the landforms, their complex patterns and breathtaking scale.
An interrogation of material where previous artworks are reconstructed and overlaid, akin to the method of pentimenti and palimpsest, to invoke the allegoric nature of myths and ancient stories in response to the force of climate change and the reality that all human acts have a cause and effect.
Alongside a team of artists from across Australia, Half Time celebrates the unifying power of footy. Delving into thought-provoking inquiries, the exhibition ignites an important and timely dialogue on the diverse roles sport plays within our communities.
Coinciding with the World Disc Golf Championships, and presented in partnership with the Mundaring Sporting Club, On Par explores the intersection between sport and art in a showcase of spectacular golf disc art by established disc artists ‘on par’ with invited Shire of Mundaring artists.
Presented in partnership with the Mundaring Camera Club and the Shire of Mundaring, Life in Motion presents a showcase of photographic works that capture and communicate a unique and individual expression of identity, play and imagination - works that communicate the very movement of existence.
Inspired by the encounter and exchange of deep time, geological forces, and the Anthropocene, the IOTA24 exhibition Mélange incorporates the languages of fibre, earth, stitch, dye, and ephemeral layers of voice, video, and performance.
Inspired by the encounter and exchange of deep time, geological forces, and the Anthropocene, Underfoot artists work collaboratively to adapt craft knowledge through the practice of slow-making.
During their residency, witness the transformation from white box gallery to an experiential space of conversations and exchange for their IOTA24 exhibition, Mélange, opening at MAC in July.
Inspired by the encounter and exchange of deep time, geological forces, and the Anthropocene, Underfoot artists work collaboratively to adapt craft knowledge through the practice of slow-making.
During their residency, witness the transformation from white box gallery to an experiential space of conversations and exchange for their IOTA24 exhibition, Mélange, opening at MAC in July.
Drawing Space is an exhibition of works on paper that provides an experience of viewing that’s unhindered by narrative. Each work depicts a sphere, or spheres, and a horizon line only, and they, along with the marks of the medium, become the tools with which to negotiate the complexities of space, time and the emotive power of colour and image. Conventional means with which to apply narrative are negated leaving nothing but a pure experience of what is before, the material substance of the work.
Una Bell
The arts practice of local Landcare advocate and Herbarium Research Associate, Una Bell, has developed into a pictographic language of endemic flora and fauna from particular sites. In this exhibition, she draws on the ancient pictograph of the Tree of Life, with the imagery in her paintings and lino prints becoming species lists that catalogue the ecology of the Darling scarp.
Mundaring Arts Centre Inc. launches the 2024 program with an exhibition showcasing the distinctive language of drawing by four eminent Western Australian artists, George Haynes, Merrick Belyea, Nic Compton and Ric Spencer.
The Language of Colour showcases works inspired by the power of colour to communicate emotions, ideas, and narratives through art. Seventy-eight artists celebrate the richness and diversity of their arts practice, and the cultural expression colours incite.
Slow-making is taking time to notice and to care for people, place and the materials of making. To cultivate is to care for, nurture and encourage the complex relationships between people, plants, animals and the soils that sustain all of us on Earth.
Showcasing recent WA arts graduates, this exhibition highlights their mastery of materials and transformative influence on tradition through contemporary learning.
Barbara Gell captures feelings and impressions of being in the Perth hills’ Whistlepipe Gully, and a sense of place through her paintings and drawings. Geometric structure forms the scaffolding on which a variety of marks reintroduce the tangle of natural forms. Gell’s work is centred around the push and pull of chaos and order.
Artists Shelley Cowper, Haya Hagit Cohen and Elmari Steyn explore the intricate ties between place, space, feelings and emotions, where the heart and mind work together to construct a spiritual connection to place; communicating this through traditional printmaking techniques and mixed media works.
Curated by Sue Starcken
Altered States is a survey of work by seminal artist Stuart Elliott comprised of four distinct yet compellingly connected parts developed through ‘Fakeological’ readings of cultural and historical artefacts and their circumstances. The exhibition showcases over 80 of Elliott’s artworks, including new pieces and significant works loaned from public and private collections.
In 2022, Cultivate invited entrants to create new photographic works that responded to the notion of cultivation, encompassing ideas, place and flora. 36 photographs were short-listed and are displayed in a public art exhibition at Boya Community Centre.
Transpositional celebrates the interdisciplinary arts practice of partners in life, artists Hans Arkeveld and Joan Johnson. With arts careers spanning decades and the use of vastly different materials, this exhibition highlights poignant recurring personal and societal themes. Significantly, they are linked by their exploration of the iconic, historically loaded symbol – the wheel.
The Sum of Us celebrates the work of a group of students brought together by a botanical art course in Perth with artist and fellow student Margaret Oversby. The group continued to meet after the course, allowing the pursuit of their passion and exploration of various styles of botanical art.
Annette Peterson reinterprets her dad’s memories of life at Parkerville Children’s Home in the 1950s through a series of ‘en plein air’ paintings. Her dad’s story emerges through her work, his emotive response intersecting with her own.
Supported by Department of Local Government, Sport and Cultural Industries
Through transformative processes, this group of emerging artists take the printmaker’s craft beyond tradition, revealing outcomes using non-traditional materials, scales and forms, following chance revelations and surprising serendipities into an expanded practice.
Curated By Sharyn Egan & André Lipscombe
The 2022 Shire of Mundaring Open Art Acquisition exhibition features artists with a continuing connection to Mundaring and its country. Selected works reflect and explore materials, themes and cultural relationships to and about the natural world.
For many years, John Eden has explored the Perth Hills on his bike. Wherever John goes, he finds evidence of the movements and activities of others who have gone before him. These ‘landmarks’, punctuating the landscape, fascinate him with their unknowable, but partly guessable, histories. The places he brings you to through his work include Mahogany Creek’s car graveyard, Sir Paul Hasluck’s abandoned swimming pool, and the former Barton’s Mill Prison.
The rhythm of walking, the quiet time alone, and the reflective space this provides are central to this collaborative body of work by Anne Williams and Louise Wells. It’s a Matter of How You Look at Things arose from expanding their observations and taking inspiration from the small, often-overlooked elements of their respective communities.
The Reconnect Photography Project , a partnership project between the Shire of Mundaring, Mundaring Camera Club and Mundaring Arts Centre Inc., is designed to encourage the local community to share their skills and the wonderful place in which they live.
“The best time to plant a tree is 20 years ago, but the second-best time is now”. This old proverb is a reminder of the short and long-term benefits of time spent in nature. MAC Inc. members have been invited to reflect on their relationship to caring for and cultivating the natural environment in this juried exhibition.
A new body of work by multidisciplinary artist Tineke Van der Eecken explores the fibres of flora, fauna, and human systems in her show Tributaries. She presents jewellery, small fine metal sculptures, and biological objects formed by corrosion casting, alongside arresting photographic images that represent the life and death thrum of fragile arterial systems: root, river, skeleton, and vein.
Curated by Sandra Murray
A crucial figure in the development of contemporary fibre sculpture in Australia over four decades, Nalda Searles shares her extraordinary approach to craft. Finders Keepers showcases new and past works, demonstrating Searles’ role as the instigator of an innovative art movement utilising Australian plant fibre and found objects.
Did you know that Mundaring Arts Centre also manages Midland Junction Arts Centre (MJAC)? If you are looking for even more arts and cultural experiences in the region visit the MJAC website for details.
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